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The goddess is imagined seated at the “Kama-pitha,” holding bow, arrows, noose, and goad—symbols of her mastery over attraction and repulsion. Her hai...
The poet questions what other gain could match the joy of beholding the goddess, whose bimba-red lips and gentle smile dispel the dense darkness of ig...
The poet beholds the goddess Kamakshi seated upon a floral couch placed on the sacred altar, entirely suffused with the presence of Sadashiva. This di...
The devotee proclaims himself under the protection of the goddess who resides at the Kama Pitha, an ocean of dense compassion. She is adorned with the...
The poet surrenders at the feet of the goddess, the beloved of Purahara (Shiva), calling her “Maya,” the cosmic enchantress. Her youthful form is like...
She is the very embodiment of liberation’s seed (“Mukti-bija”), crowned with a floral diadem representing sovereignty over beauty and auspiciousness. ...
The poet salutes the goddess as the embodiment of the Vedas, sound, and the mystical bindu. She is the moon rising from the supreme state (“Para-pada”...
May the fruit of infinite merits accrued by the destroyer of the cities (Shiva) manifest in my mind as Kamakoti — the goddess in her supreme form — mo...
The poet describes the playful, curved, full, and soft beauty of the goddess’s eyes, hips, and feet. This beauty is seen and held in the mind while st...
With a glance directly meeting the devotee’s eyes, Kamakshi kindles a sprout of grace (“Prasada-deepankura”) that reveals an incomparable, brilliant j...
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